She would never transfer the realistic factor that she experiences in her daily life into the canvas, bur the phenomena which have been melted together in her literary sensitivity have been transferred into it. Therefore, the objects are being rearranged and recomposed by omission based on the tableaux of implication, metaphor, and symbol, etc, transformed into the formative images.

… as towards the 1990s, she had started a particular composition work by arranging a number of different scenes in mosaic form, while she totally adopted rape color. Especially, the composition of mosaic has enabled her to introduce a particular and fantastic formative space in the process of the integration of the scenes which seems to be unrelated to each other.

A new idea has been implied from her painting such as ignoring the proportion of distance between buildings and personal figures or exposing the indoor by the perspective technique. Most of all, her collection style which is the image of arrangement of a number of scenes and situations as if they were woven together is the optimal method for her to apply because of her literary concept and that she can express anything accumulated in her inner world.

In her descriptive technique, the sense of shape has been weakened. In other word, by weakening the configuration line of each object, the border of each image of the object is not clear. The smooth image of the delicate medium tints similar looking to pastel technique has increased the fantasized feeling while weakened the realistic existence feeling.
The graceful medium tints being created by mixture of the primary colors would often created a fantasized atmosphere. The disposition of unrealistic space is matched with the image of coloration.

Since the advent of 1990s, her series of seep mountain landscapes which is featured by fantasized images has become her fixed style. The landscapes with the thick lyric amenity is about to reach the image of poem being compressed into simplified shape. The ordinary scenes of the urban district have been transformed into her canvas as a peaceful and warm scene from the dreariness. Her own dream and fantasy have thus created such beautiful scenes…

(Art critic Hang-sup Shin, March 1997)